Merzbow Monday: Merzbow – Scandal (Room40, 2021)
A trio of lost recordings from 1992 to 1995 flies in the face of the idea that Merzbow is overly-prolific. If you’ve ever read any reviews of Merzbow, or any … Continue reading
Merzbow Monday: Merzbow – Door Open at 8 a.m. (Alien8, 1999)
Make a jazz noise here Although many claim for hip-hop or various kinds of electronic music to be the spiritual successors to jazz, especially the more far-flung variants like free … Continue reading
Merzbow Monday: Merzbow – Paradoxa Paradoxa album review
On Live at Kid Araik Hall I, Merzbow reveals noise – alongside hip-hop and electronic music – reveals itself to be the spiritual successor to jazz. There’s not enough appreciation … Continue reading
Merzbow Monday: Merzbow – Green Wheels (Self Abuse, 1995) Album Review
Green Wheels is ’90s Merzbow at its purest – 70 minutes of dense, sprawling, relentless noise on unwieldy, cumbersome packaging. Knowing where to start with Masami Akita’s bottomless discography is … Continue reading
Arrias-Davies-Ullén – Crystalline album review
Crystalline is a group improvisation rooted in tradition yet flowering into new, strange, and unexpected shapes. “New music” – that strange amalgam of classical, free jazz, and improvisation – requires … Continue reading
Grime Time: Wolf Eyes – Undertow album review
On Wolf Eyes’ first album of original material in 2 years, Undertow, the infamous Detroit noise trio return with a meditation on timelessness, filth, uncertainty, identity, leather jackets, flesh, and … Continue reading
Merzbow Monday: Merzbow – Aqua Necromancer (Alien8, 1998)
Disruptive Rhythm Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous. – Yehudi … Continue reading
Merzbow Monday: Merzbow and Gareth Davis – Atsusaku review
Atsusaku, the collaboration of “king of noise” Merzbow and avant-bass clarinetist Gareth Davis, is 40 minutes of burning wind, crumbling static, squealing feedback, klaxons, and sirens. It’s like walking through … Continue reading
Macro/Micro: Sun Ra & Merzbow – Strange City (Cold Spring)
Both Merzbow and Sun Ra’s “music” deal with large scale forces, extending beyond the limits and confines of The Human, towards a more thorough understanding of: The World We Live In; … Continue reading
Embodied Electronics: Body Shame – You Look So Under Fed (SdmPdx)
it’s okay to have a body. In the April 2016 edition of Nylon Magazine, in an article titled “Body Talk”, artist Molly Soda speaks of when she first became self-conscious of her … Continue reading
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