Merzbow Monday: Merzbow – Paradoxa Paradoxa album review
On Live at Kid Araik Hall I, Merzbow reveals noise – alongside hip-hop and electronic music – reveals itself to be the spiritual successor to jazz. There’s not enough appreciation … Continue reading
Merzbow Monday: Merzbow – Green Wheels (Self Abuse, 1995) Album Review
Green Wheels is ’90s Merzbow at its purest – 70 minutes of dense, sprawling, relentless noise on unwieldy, cumbersome packaging. Knowing where to start with Masami Akita’s bottomless discography is … Continue reading
Arrias-Davies-Ullén – Crystalline album review
Crystalline is a group improvisation rooted in tradition yet flowering into new, strange, and unexpected shapes. “New music” – that strange amalgam of classical, free jazz, and improvisation – requires … Continue reading
Grime Time: Wolf Eyes – Undertow album review
On Wolf Eyes’ first album of original material in 2 years, Undertow, the infamous Detroit noise trio return with a meditation on timelessness, filth, uncertainty, identity, leather jackets, flesh, and … Continue reading
Merzbow Monday: Merzbow – Aqua Necromancer (Alien8, 1998)
Disruptive Rhythm Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous. – Yehudi … Continue reading
Merzbow Monday: Merzbow and Gareth Davis – Atsusaku review
Atsusaku, the collaboration of “king of noise” Merzbow and avant-bass clarinetist Gareth Davis, is 40 minutes of burning wind, crumbling static, squealing feedback, klaxons, and sirens. It’s like walking through … Continue reading
Macro/Micro: Sun Ra & Merzbow – Strange City (Cold Spring)
Both Merzbow and Sun Ra’s “music” deal with large scale forces, extending beyond the limits and confines of The Human, towards a more thorough understanding of: The World We Live In; … Continue reading
Embodied Electronics: Body Shame – You Look So Under Fed (SdmPdx)
it’s okay to have a body. In the April 2016 edition of Nylon Magazine, in an article titled “Body Talk”, artist Molly Soda speaks of when she first became self-conscious of her … Continue reading
Horrorscores: Mike Simonetti – At The Juncture Of Dark And Light Vol. 3 (Opal Tapes)
Free jazz. Free fall. Aurora Borealis oscillators; sterling drones. Black matter. Black mass. Tribal epiphany. Drum machines. Vibes. Lonesome. Haunted. Floating. Welcome to another edition of Horrorscores, where we transform … Continue reading
rEcaP: The House In The Woods – Bucolica + Bardo Pond – Rise Above It All
welcome to another edition of rEcaP, where we spread the light on noteworthy Extended Players. Longer than singles, not quite albums, they occupy an important interzone that lets artists stretch … Continue reading
